Jun 02, 2011 12:00AM

Oyster #92: Tina Kalivas

Starring Andrej Pejic, Louise van de Vorst, Samantha Harris and Tiah Eckhardt-Delaney.

In 2002, Tina Kalivas burst onto the Australian fashion scene. Having just returned from London, where she had worked for the likes of Alexander McQueen, Kalivas' daring shows, unique aesthetic and bold use of prints - not to mention her tight posse of heavyweight industry supporters - quickly made her a star. Kalivas' long-term collaborator, Mark Vassallo, is one such supporter. A luminary in his own right, Vassallo's talent and clout have made some of our most exciting fashion names who they are today. In this extract from Oyster issue #92, the two friends reflected upon their time together, before Kalivas farewells Australia and returns to the UK.

Tina Kalivas: So, we are at Mark's apartment; it's a Sunday afternoon; we're both very chilled out ? just trying to paint a picture here. Let's have a look at these questions. The first time we worked together?
Mark Vassallo: What was the first show?

Was it that one at the Australian Museum? Amongst all the dinosaurs, and there was a whale skeleton over the catwalk. That was exciting, wasn't it? I remember we found Tallulah [Morton] for the first time.
Yeah, and Sophie Ward as well. We did the show backwards; we started with the finale, and the collection was all black and white. Generally it went OK; really well actually. I can't remember any disasters.

Oh yeah, that's right. No, that show didn't have any disasters. There are definitely other disasters to talk about. My favourite - I've got to say, was the Mondrian show.
The shoes! We put the shoes on for the rehearsal and we had sewn perspex onto the shoes, and that looked amazing everybody wanted the shoes. But after the rehearsal, all the models came backstage and their feet were covered in blood; every model was bleeding.

And then an extra model turned up.
Yeah, we forgot to cancel a model?

And we had to find her an outfit, which was fine. We made it happen; we got her out there. The biggest classic was the poor girl who turned up with a burnt face. She had the most incredible body though, and you were like, "I'm not cancelling her. Her body is amazing!"
We were told her face got burnt from acne cream.

Clearasil overload. How can you do that? Actually, I think I did that once, when I was a teenager.
She must have put a lot on. It burnt her face.

Did you actually see it?
I yelled at the agent, "I don't care, get her down here." Then I saw her, and her face was really bad.

So you just did the S&M masking.
So we just wrapped her face up with S&M tape. No one knew any different; they just thought, "It's just Mark and Tina being weird and arty." People found out afterwards though.

That was hilarious. But the models were amazing; it's amazing what they endured with those shoes. Remember that other show we had at the Hilton? That was quite spectacular. We had a huge budget for that one - that show was ridiculous.
Yeah, with the teddy bears and baby dolls. Diamonds - real diamonds!

Lots of beautiful things. There was that huge monkey that you bought one holiday and you brought backstage for good luck. It ended up going on the catwalk.
You were always so creative with your shows; there was no holding back.

I think that's why I did it. I think that's why I enjoyed it. For me, it was about having fun and working with you and the other amazing people we brought on. And also always trying to do something a little bit different - not necessarily what was fashionable, but something that meant something to us; something that we would all get a laugh out of. It was a really amazing time. The music was always so fun.
It's a big part of it, isn't it?

The preparation behind it is kind of crazy. We haven't done Fashion Week for a couple of years now, have we?

Well, I personally haven't really found it worthwhile. I've had so much fun, but I can't compare it with what we used to do.
Obviously the show was fun, but the business side you didn't find [to be] worth it. I think that's the case for all the creative designers I still work with. I think it's an excuse to do a great show and to have fun. It's not really like it's going to earn us heaps of money. The designer and the publicist are just selling themselves to the devil?

Yeah, you put your cock on the block, basically.
[Laughs] You sell out and you have to work with fucking washing machine and mobile phone companies - which is fine; I mean, at least they're giving you the money to do it all and to be creative.

That part gets hard, though, because you sit and question yourself, especially if you're quite hardcore about purity and art. You end up a bit stinky if you're selling a vacuum cleaner, you know, or wherever the money is coming from. But it's like you said: it's all about weighing it up. I did this project because I hadn't made showpieces for a while and I was obviously quite creatively frustrated.
It also turned into being a bit of a retrospective, in a weird way, because you used fabrics from over the years, and there was the whole realisation that these were the last clothes you were going to make here [in Australia] for a while.

Yeah, it's been more than eight years, hasn't it? I came back in May, 2002.
So, you came back six months before I did, no, I came back six months before you did. So, what do you reckon?

It's been amazing. I'm really looking forward to whatever is next. I don't really know what that is. I think it's obviously important to get to a point where you're nostalgic and grateful for a period of your life, but also really important to know when it's time to start a new chapter.
Generally you've had a great time here. You've had an amazing studio.

Photography: Stephen Ward


Fashion: Mark Vassallo


Hair & Make-up: Victoria Baron @ RP Represents using Ellis Faas

Models: Andrej @ Chadwick, Tiah @ Vivien's, Louise and Samantha @ Chic



Lena Dunham & Bill Cosby Share Words To Live By

And other things we learnt from her Proust Questionaire.

Grimes Drops Amazing 'Bedtime Mix' On BBC Radio 1

Feat. Aphex Twin, Patsy Cline, Portishead and more.

Frank Ocean Gets New Management

Signs with Calvin Harris and Deadmau5 group.

Snoop Dogg Tweets, Instagrams Homophobic Slur

Then deletes it less than an hour later.

Oyster Playlist: Nicky Night Time

A celebration of cut and paste.

Holly Childs Is Your New Favourite Young Oz Writer [Interview]

We talk to the Melbourne-based writer, editor, internet artist and curator for Oyster #105.

Australian Artist Jonathan Zawada Tattoos Billionaires [Interview]

We talk rainbows, sportswear and Aussies in LA in Oyster #105.

Exclusive: Stream Perfume Genius' 'Too Bright' Album

PLUS read his Imaginary Dating Profile!

News Flash: Everyone Is Single

For the first time ever, singles are the majority.

Beyonce MIGHT Be Pregnant Again

Jay's words guys...Jay's words.

Amy Winehouse's Statue Is Staring At You

Look into the eyes, the eyes, the eyes.

Video Emerges Of Kanye West's Wheelchair Gaff

"Oh.... they ARE in a wheelchair?? Right LET'S DO THIS."

Copycat: Shop The Best Looks In Australian Film

You won't look terrible, Muriel.

Local Legends: 'Film Fatales' Is Your New Favourite Zine [Interview]

The new issue features Tavi's college application essay. WAT.

Win — Hansen & Gretel Wardrobe!

Everything in this shoot could be yours.

LFW Diary: Day #1 & #2 Feat. Nasir Mazhar, Sibling & More

Getting up close and personal with SS15 in London town.

'XS' Shot by FEELTHEFUTURE In Oyster #105

From our 20th Anniversary 'Down Under' issue!

Indigenous Icon Bart Willoughby's Got Something To Say [Interview]

Talking to the award-winning musician for Oyster #105.

Kate Moss Stars In Gucci's 'The Jackie' Film

Chased by paps, just like in real life.

Marc Jacobs Gets Dystopian For Spring 15

Beats by Dre headphones, military looks and suburbia.

Betsey Johnson Wins Argument For Marriage Equality @ NYFW

With a queer pastel princess party.

Jimmy Kimmel Successfully Trolls Fashion Week Again

In a game of never have I ever NOT known everything about fashion.

Exclusive: POMS 'Flora' Resort 14 Lookbook

Push the little daisies and make 'em come up.

Moodboards: Celeste Tesoriero Spring 14

Jewellery for broken hearts.

Angus & Julia Stone's Farmhouse Show & Tell [Interview]

Hanging with Rick Rubin's protégés in Oyster #105.

Kanye West Reportedly Hospitalised In Australia

Suffering a migraine in Melbourne.